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Of course, the main reason why this tumble down the rabbit hole is so enthralling is due to Madeline Brewer (The Handmaid’s Tale)’s very personal performance, which allows the audience to relate to a circumstance which they may never have even previously considered.
It speaks volumes that Brewer is able to take a polarizing story about a taboo subject and turn it into a significant commentary on society’s addiction to social media and instant gratification, especially given that Brewer has no professional training as an actor and only recently entered the game with her first role in 2013 as Tricia Miller on Orange is the New Black.
By providing an unbiased glimpse into the everyday routine of model Alice and her frenemies’ Baby (Imani Hakim), Fox (Flora Diaz) and Princess X (Samantha Robinson) lives, Cam shows how sex workers really aren’t that different from the rest of us, thus highlighting the ridiculously dated way society tries to separate itself from what very basic Christian rhetoric deems a sinful way to earn a buck.
Not only does Cam show the way in which sex workers are underappreciated and unfairly scrutinized, but it also exposes the terrifying way that law enforcement handles claims of sexual abuse.
How is one of Lola’s creepy online stalkers, Tinker (Patch Darragh) connected to this creature?
Despite the fact that these questions are never really sufficiently answered, Cam still manages to be a captivating peek into the world of sex workers, and an important conversation starter about our dangerous tendency to perceive what we see online as real life, and the consequences of such irrational assumptions.
This review originally ran during the Fantasia Film Festival on Aug.